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“ I don’t know how long he has had these works in his repertoire but they sound like old friends, well played-in. From the opening bars of the Schmannesque ‘By the hearth’ (January from The Seasons), Douglas draws you in with his self-effacing, intimate approach and beguiling tone. Anyone who has heard his ‘Celtic Reflections’ and ‘Celtic Airs’ albums also Chandos) will know how eloquent he can be when presented with a simple, uncluttered melody line. Listen to ‘Barcolle’ (June) and ‘Autumn Song’ (October) and you’ll see what I mean.

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The more extrovert numbers (‘Carnaval’/February, ‘Troika’/November) are no less successful. There have been more viscerally thrilling Pictures that this but few with such musical and textual integrity. I listened to it with great pleasure nothing exaggerated, no tinkering with the text, each section deftly characterise and using the full tonal and dynamic range of the piano distinguished and beautifully recorded account of this great score”.

“ I don’t know how long he has had these works in his repertoire but they sound like old friends, well played-in. From the opening bars of the Schmannesque ‘By the hearth’ (January from The Seasons), Douglas draws you in with his self-effacing, intimate approach and beguiling tone. Anyone who has heard his ‘Celtic Reflections’ and ‘Celtic Airs’ albums also Chandos) will know how eloquent he can be when presented with a simple, uncluttered melody line. Listen to ‘Barcolle’ (June) and ‘Autumn Song’ (October) and you’ll see what I mean. The more extrovert numbers (‘Carnaval’/February, ‘Troika’/November) are no less successful. There have been more viscerally thrilling Pictures that this but few with such musical and textual integrity. I listened to it with great pleasure nothing exaggerated, no tinkering with the text, each section deftly characterise and using the full tonal and dynamic range of the piano distinguished and beautifully recorded account of this great score”.

“ Bavouzet and the Mancunians under Takacs-Nagy find an ideal balance between the light-hearted and the serious in these wide-ranging pieces The chamber interplay between Bavouzet and the four winds in K452 carries over into the concertos, their all-important inner lines brought out without a hint of self-consciousness. The conjunction of soloist, band and Chandos’s characteristically fine engineering continue as they set out two years ago and conspires in a fascinating portent of what these players might do in due course with the later, larger, deeper concertos.”. “ Bavouzet and the Mancunians under Takacs-Nagy find an ideal balance between the light-hearted and the serious in these wide-ranging pieces The chamber interplay between Bavouzet and the four winds in K452 carries over into the concertos, their all-important inner lines brought out without a hint of self-consciousness.