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MASSIVE’s sound synthesis is based on a unique Wave Scanning algorithm, implemented in three parallel oscillator modules. It combines the highest sonic quality with utmost flexibility and controllability. Think of a Wave Scanning oscillator as a multi-track sequencer; one of the tracks contains a saw wave and the other a pulse wave. In the vertical dimension, each of MASSIVE’s oscillators allow these tracks to be faded seamlessly into one another. In the horizontal dimension a single cycle’s read-out speed curve can be manipulated in three different bending modes. MASSIVE comes with 85 specially designed wavetables, each one with a unique combination of waveforms and particular sonic characteristics.
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Finally, a modulation oscillator can be used to vary the main oscillators’ signal. It can be used for ring modulation, phase modulation (which sounds similar to FM) as well as further modulation modes. A noise generator provides an additional signal source that can be mixed in with the other signals, generating particular effects.
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It can, for instance, be used in combination with MASSIVE’s comb filters for a physical modeling approach to sound design. MASSIVE’s basic structure conforms to the well-known subtractive synthesis paradigm, making it easy to understand while simultaneously ensuring the signal flow is highly flexible. You can place two insert effects at various places within the signal flow. You can also take the signal at any point and route it back to the beginning.
For example, you can filter a sound and feed it back into the filter’s input. This can create very lively and dynamic results. The flexibility is further increased by placing an insert effect into the feedback path.
MASSIVE contains two step sequencer modes: While the Stepper conforms to the well-known, established operating modes, the Performer allows each step to be shaped individually, making it ideal for advanced rhythmic structures. A flexible low frequency oscillator completes the list of modulation sources. The variety of possibilities is as wide as it is fast to use. This is further enhanced by the inclusion of templates for standard tasks for all the modulation sources, such as envelopes, LFOs, steppers and performers.
For example, setting an envelope to a generic ADSR shape is a quick, one-click issue. MASSIVE’s various global settings pages allow a variety of parameters to be adjusted – parameters that most other synthesizers leave unmentioned and unadjustable.
MASSIVE unveils their true sound design potential. The Keytracking pages map the incoming pitch information generated by your keyboard or sequencer individually for each oscillator and filter. There is even separate keytracking control over the filters’ cut-off frequencies and other additional parameters such as a bandpass filter’s width or a comb filter’s feedback. This allows effects to be created that can be controlled by simply playing your keyboard.
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